Also Chapter 1 (sort of) : Formalism, New Criticism

Formalism:
  • Russian formalism, Russian revolution, Bolshevik revolution etc
  • emphasis on form
  • focus on literariness of the text
  • what is or isn't literature is also based on the language used: where "Frailty, thy name is woman" is poetic and literary, "you are a frail woman" is merely everyday speech
  • looked for literary and poetic devices, rhyme scheme, diction, syntax et
  • did not care about context
  • making the stone stonier
Victor Schlovsky: defamiliarization
  • making that which is familiar to you, unfamiliar
  • literature makes standard language defamiliarized to us
  • for instance, "boy meets girl - fall in love - both die" sounds like a stupid plot but Romeo and Juliet is considered a literary masterpiece 
Ian Mukarovsky: Foregrounding
  • standard language (background)
  • poetic language (in foreground)
  • together become literary language
  • still believed that context make reader digress from meaning of text 
Roman Jakobsen: Literature is organized violence committed against everyday speech
  • organized: choice of words, diction, metre, the form/rules of the age
  • violence: restructuring, tampering
New Criticism: close reading
  • 1920s to 1940s; super popular in 1930s
  • John Crowe Ransom
  • Close reading to understand organic unity of the text in spite of and because of all the ambiguity, irony, contradictions
  • how all these elements come together
  • focus on text not author/context/reader
Phenomenology 
  • our understanding of works is colored by personal, individual differences, experiences, consciousness - 
  • which lend meaning to the text apart from the content itself
Formalism vs New Criticism vs Structuralism: practical application

Formalism:
The form is solely responsible for 'literariness': simile, metaphor, rhythm, rhyme scheme, meter, diction, refrain, syntax, hyperbole, irony, personification, alliteration, anaphora, allusion etc

New Criticism:
in the work, elements may contradict each other - ambiguity, irony, conflict - but together they contribute to the organic (holistic) unity of the work

Structuralism:
drawn from linguistics - science of language - focus on structure not form - only language - language is a structure (units, rules, systems). How to classify some work as an ode, a sonnet, a speech etc. Still don't care about context of context - only structural context

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